Jumat, 10 Mei 2013

[T980.Ebook] Download PDF Foreign Dialects: A Manual for Actors, Directors, and Writers

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Foreign Dialects: A Manual for Actors, Directors, and Writers

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  • Published on: 1600
  • Binding: Paperback

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Kamis, 09 Mei 2013

[H640.Ebook] Ebook Modern Instrumentation for Scientists and Engineers, by James A. Blackburn

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Modern Instrumentation for Scientists and Engineers, by James A. Blackburn

This modern presentation comprehensively addresses the principal issues in modern instrumentation, but without attempting an encyclopaedic reference. It covers the most important topics in electronics, sensors, measurements and acquisition systems, and will be an indispensable reference for readers in a wide variety of disciplines.

  • Sales Rank: #1919137 in Books
  • Published on: 2000-11-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .75" w x 7.01" l, 1.64 pounds
  • Binding: Hardcover
  • 319 pages

Review

 From the reviews:

"The author has managed to succeed in writing a ‘small encyclopedia of modern instrumentation’ in the size of a textbook with 320 pages … There is a vast spectrum of scientific knowledge and engineering technology included in this book … It is a very good textbook or a reference source for a continuing education seminary and for courses to nonelectronics graduates." IEEE Instrumentation and Measurement

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5 of 6 people found the following review helpful.
solid discussion of theory with some reservations
By Shann Yu
This is the textbook used for our Bioinstrumentation class. While half of this book did not even apply for us bioengineers, the other half that we actually used was overall well-written and easy-to-follow.

First off, by 'discussion of theory' in the subject line, I refer to the fact that mathematical derivations are everywhere. If you would like a discussion of modern instrumentation without as many alphas, betas, and thetas, I suggest you stop here and look elsewhere. Otherwise, for the rest of you guys who aren't intimidated by all the Greek, this book does a good job of following the equations and explaining derivations of everything from gain levels to stress-resistance relationships in strain gages.

My reservations lie in the fact that the book does not offer as much of any applications or case studies. Personally, I like the fact that the book dedicates chapters to studying photosensors, strain gages, amplifiers, so on, so forth. But all that is nothing if you can't apply that to some actual complicated piece of modern equipment. Being able to know the basics is one thing, but with this book being titled "Modern Instrumentation for... Engineers", you'd have to expect more talk on MRI circuitry, laser printer design, etc.

And then of course, the amount of derivations in this book can be its own undoing sometimes. But nevertheless, it's a great book for reference in an instrumentation class, or for those wannabe-electrical engineers...

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Jumat, 03 Mei 2013

[G612.Ebook] Free PDF Death Mark: A Dark Sun Novel (Dark Sun, Abyssal Plague), by Robert J. Schwalb

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Death Mark: A Dark Sun Novel (Dark Sun, Abyssal Plague), by Robert J. Schwalb

In the aftermath of revolution, King Kalak of Tyr is dead and all eyes fall on the lucrative iron mines of his once mighty city-state. Merchant houses scramble to seize what scraps they can while King Hamanu of Urik, the Lion of the Desert, rallies his armies to crush the Tyr rebellion underfoot. He cannot allow this insurrection to succeed and intends to seize the city’s precious resources for himself. The hope of the Tyr revolution seems destined to fail as the tyrannical specter of Hamanu’s war machine looms large on the horizon.
 
But fate chooses the most unlikely heroes. Loren, a gladiator pressed into service by a corrupt merchant prince; the ambitious Alaeda Stel who hopes to secure her family’s future by exploiting Tyr’s sudden weakness; a street thief named Melech; and Korvak the disgraced templar are Tyr’s best and only hope. The promise of freedom rests on their ability to overcome the greed and lust for power that threatens to undermine the principles of Tyr’s revolution.




From the Paperback edition.

  • Sales Rank: #323873 in eBooks
  • Published on: 2011-12-06
  • Released on: 2011-12-06
  • Format: Kindle eBook

About the Author
Robert J. Schwalb, a writer and award-winning game designer best known for his work on Dungeons & Dragons®, got his start in 2002 and has never looked back. He has designed or developed almost two hundred gaming books in both print and digital formats for Wizards of the Coast, Green Ronin Publishing, Black Industries, Fantasy Flight Games, and several other companies. Some of his best-known books include the Dark Sun Campaign Setting, Player's Handbook 3, A Song of Ice and Fire Roleplaying, Grimm, and Tome of Corruption.

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13 of 13 people found the following review helpful.
A great Dark Sun novel!
By Robert J. Adducci
The new Dark Sun novel, Death Mark by Robert J. Schwalb, is being released as a mass market paperback and a kindle ebook on December 6th, 2011 (ISBN: 978-0-7869-5840-5). This book is marketed and advertised as an Abyssal Plague novel, but for those of you who don't care for the Abyssal Plague idea you'll be glad to find out that there's no mention of the Abyssal Plague in the book. What is in this first time novel writer and longtime game designer's novel? That's easy, Dark Sun and lots of it!

It's easy to tell that Schwalb not only knows the setting (he is one of the 4th edition authors), but that he's a fan. You won't find mention of Goliaths or thri-kreen walking on six legs; instead you'll hear about half-giants and the dwarven focus. Schwalb's story focuses on the machinations of the Athasian merchant dynasties, a topic central to the Dark Sun setting that has been left all but unexplored in current or past novels.

The backdrop of these merchant wars is the budding war between the city-states of Tyr and Urik, but this is no Crimson Legion (Troy Denning's second Dark Sun novel) part deux. Instead much of the action takes place in and around Tyr, focusing on events leading up to the war. We see how these events affect the world through the eyes of Schwalb's characters, who are Athasian through and through. We see Loren a Tyrian, ex-gladiator recently freed from slavery in Nibenay only to be caught up in the backstabbing dealings of the merchant houses. We see Melech, street thief of Tyr struggling to survive and Korvak, Templar of Tyr, struggling to repair his reputation. Then we have the players from the merchant houses themselves, cold Thaxos Vordon of Tyr and House Vordon, thoughtful Alaeda Stel of Urik and House Stel, and of course the mysterious Temmnya Shom of Nibenay and House Shom, all struggling to come out on top. Besides the main cast of characters, the supporting characters in Death Mark all bring some Athasian flavor with them; from Pakka and her dwarven focus to the halfling Watari and his choice of Athasian meals.

I really can't explain how much of a pleasure it was to read this Dark Sun novel. Not only was the feel of the setting evident in every passage, but there was consistency with the other Dark Sun books and setting material that has been lacking in the past. That's not to say that it was perfect.

I'm an old Dark Sun grognard and I noticed some details that were slightly off. First was the use of copper coins, I think this might just be a personal preference and throwback to the original setting where there were no copper coins and reading the Dark Sun campaign setting for 4th Edition Dungeons & Dragons it does mention Copper coinage, so not a big deal. Secondly, the use of an erdlu as a war mount. In all previous setting materials erdlu were domesticated herd animals used for food and goods, not fighting. Crodlu is the common riding animal and there are heavy or war crodlu in previous versions of the setting. I told you I was a Dark Sun grognard, so while not story breaking or anything, there it is.

Lastly the only other issue I had with the book was the end. This critique is not a setting issue, but one of storytelling. The end seemed a bit rushed and some of the details in the battle were a bit confusing. Why did these things show up and what was the purpose of this other thing? I can't really explain without spoiling it (perhaps Schwalb himself will explain in an upcoming interview) and it didn't ruin the book, it just left some unanswered questions. Perhaps those questions will be answered in another book. We can only hope!

All in all, this is the best of the new Dark Sun novels out and possibly one of the best of all, but nostalgia and the passage of time make it hard to compare. Suffice to say, if you're a Dark Sun fan, buy this book! Even if you're just a little interested in Dark Sun or Robert Schwalb's writings, buy this book, you might just get swept away and find yourself lost in the deserts of Athas.

4 of 4 people found the following review helpful.
Death Mark by Robert J. Schwalb
By Travis Eisenbrandt
Death Mark is the third stand-alone novel in the recent relaunch of the Dark Sun series of novels based on the Dungeons and Dragons universe of Dark Sun. This is Robert J. Schwalb's first novel, but he has written many adventures, source-books, and rule sets for various d20 role-playing systems. Death Mark was released December 2011 and was published by Wizards of the Coast LLC.

Tyr has fallen in revolution and a new Sorcerer-King has claimed Tyr's throne. After freeing the city's slaves and closing Tyr's iron mines, the city of Tyr is far from recovering from the death of King Kalak. The city's merchant houses fight for anything that is left as a rival city marches to take over the reeling city. However, that's not the only problem that Tyr has to deal with. House Vordon is looking to take the city under its control, and placing Thaxos Vordon as the new leader. But at the same time, another merchant house is on the move to take the city. Being forced into servitude after becoming a free man, the former gladiator Loren leads House Shom towards Tyr under the watchful and mysterious Temmnya. Another merchant house, House Stel, wants to gain a foothold on Tyr or more importantly, its iron mines. Alaeda Stel journeys towards Tyr where she awaits her assignment, but something just doesn't feel right. The disgraced templar Korvack looks to get back into King Tithian's good graces by trying to uncover any plots against the new Sorcerer-Kings new throne and enlists the aid of Melech, a thief with connections. Tyr's future looks bleak.

Criticisms:
1) Ending. The build up of Death Mark's fantastic story is almost ruined by the rushed and hurried ending. That said, the ending isn't all that bad. It still does attempt to tie up the loose ends and bring the story to a satisfying conclusion, however it felt underwhelming and rushed. Things happen to mostly get the book to the three hundred page length. Truth be told, Death Mark feels like it should have had a sequel with everything that was going on feel like it was better concluded, along with helping to make the ending feel a bit more satisfying.

Praises:
1) Story. Death Mark is a complex, multiple plot-line story done right. There are five main plot-lines, with many little minor plot points, in Death Mark. Most novels with multiple story-lines, four or more, tend to lie on the rushed, clustered side of the road. There's too much going on without a moment of respite or reason for why. In Death Mark everything that happens really does happen for a reason. You can see the progression of how a situation got to where it is currently. Another problem with most multiple story-lined novels is that the multiple plots seem to be either loosely connected or forced into one another. With Death Mark the stories really did come together in a nice and fitting way. This just helped in making 'Death Mark' all the more enjoyable and interesting.
2) Characters. Where Death Mark also shines is with its characters. The main characters and the minor ones both came off as extremely developed and interesting. No character felt wasted or misused. Everyone had role and they either met it or exceeded that role's expectations. While the minor characters were good, Death Mark's main cast is fantastic. Diverse, deep, and interesting really do help in summing them up. From the recently freed gladiator to the imprisoned and disgraced templar, each social status is represented and really gives the reader an excellent look into what makes Athas tick. The characters themselves are fleshed out and really do go through some great development as the story progresses. These characters do make reading through Death Mark an extremely enjoyable experience.
3) Dark Sun. After the recent relaunch of the Dark Sun novel line, this is the first book that really gave the world and setting some depth and understanding. Personally, I have no experience of the world outside of the two newer released novels and what little information I gathered from a quick search, but the world seemed a lot more explained and defined in Death Mark than it did in the previous two novels. Honestly, without the great use of background I would still think very little of Dark Sun and would still be wondering what exactly the world is. Great descriptions, explanations, and great usage of exposition really makes Dark Sun seem like a totally different and new setting that makes you yearn to learn more if you have little knowledge of the universe. All this can point back to how well Death Mark built up the surrounding world.

Side Notes:
1) Tyr. After reading Death Mark, I have this sudden interest in learning more about the city where the story takes place in. Why, exactly, was the former Sorcerer-King overthrown and how different was the city before?
2) Pakka. Out of all the great characters and their own personal arcs, Pakka's seemed the most interesting and heartbreaking. It's not much for me to warrant a whole praise section for this character out of the other great ones alongside her, but it is worth mentioning that her character was in my opinion the best of the bunch.
3) Cover Art. Death Mark has a very standard fantasy novel cover, but honestly, I just don't care for it. The colors are drab and boring and there is nothing there to make it "pop". It has the standard brown color scheme that seemed to have become popular in the past few years and that, while fitting, just doesn't seem to work. The character on the front, who is possibly Temmnya, kind of looks unappealing. She's just there in skimpy, impractical clothing doing nothing. She isn't tantalizing, but just boring. Other than that, there isn't much else to this drab, bland cover.

Overall: 5/5
Final Thoughts:
Even with the rushed ending, Death Mark really sparked my interest in the otherwise flat world of the recent Dark Sun novels. With its great cast, interesting story-lines, and an informative, yet entertaining look at the world of Athas, Death Mark was a great read. Aside from the rushed ending, which I still believe would have worked better if this was a multi-part series, there is little that really holds Death Mark back. The story is wonderfully complex and understandable, along with showcasing a lot of depth and intrigue of the world. The characters are just great and you'll soon find one that you will attach yourself to. There is not much more to say about Death Mark other than go pick it up. If you were on the fence or even remotely interested in the world of Dark Sun, I would say this is an excellent place to start.

2 of 2 people found the following review helpful.
This is what Dark Sun novels should be like. All of them.
By Paco G. Jaen
This D&D novel was published by Wizards of the Coast in 2011 and was written by Robert J Schwalb in 2011. Yeah… I’m a bit late on this one. I should have got hold of it a long time ago.

I absolutely adore Dark Sun. It was the first D&D setting I actually got to master and it was so far out from anything else that was going on at the time – and the time is 1994 when is was released in Spain – that I was captivated from the moment go.

I read the Prism Pentad novels avidly and I re-read them not four years ago. Then I read the newer novels. I wasn’t impressed, I’m sorry to say.

You see, Dark Sun is meant to be a truly horrible and brutal world. One that would make Westeros a cozy place. The novels I’ve read didn’t convey that. They offer a rather sanitised version of Athas that I felt belonged more in a Disney production than an HBO, if you know what I mean. So when I found this novel, I bought it out of inertia more than anything else. Yes, the author’s name was encouraging, but then that’s never any guarantee.

When I started to read, though, I started to change my mind pretty much as soon as my eyes hit the pages. Much to my surprise!

The plot takes place one year after the events in the Prism Pentad. King Kalak has been defeated and Tithian has been crowned king in Tyr. The city is in turmoil as it tries to shift from slavery to a free society and the merchant houses, unsettled by the loss of earnings and the threat of invasion from Urik, decide to take matters into their own hands and various plans are conceived to take over the commerce and government of the city, including the tremendously profitable iron mines, now closed. The roles of the characters introduced throughout the novel and the seemingly disconnected actions of all the parts slowly come closer together.

It is difficult for me to tell you much about the plot without giving away key clues and I really don’t want to spoil this one. It’s too good to do that, so please bear with me. Also I can’t help but comparing this novel with the previously published ones. Sorry. Can’t help it because Death Mark is miles ahead from any other novel published before.

The characters, without going into any existentialist essays in the book, are actually really, *really* well crafted. Most of them have perfectly credible motivations and great personalities; they are congruous. That is, they react as you’d expect a character like them to react. The former gladiator is a killing machine; he might not like killing, but he does so, does it well and has the reactions you’d expect from a gladiator brutish, to the point and struggling to keep up with mind-games. The self-centred defiler works to better his plans and status and will step over anyone to achieve that goal, even if his actions put the health of the city at risk.

The best way I can think to describe how the novel is structure is this: most novels feel like they narrate how an adventuring party is out and about on missions and tasks, just like your gaming group does when you get together to play. There is one group of people and they drive the plot. This novel, though, takes several adventuring parties and sets them away from each other, each one with their own adventure to follow. Slowly, as time advances and events unravel, their paths start to converge and, eventually, most of them come to see they were all going in the same direction from different starting points.

The cast of characters is well balanced and there are villains and heroes in both genders. There are strong women and weak men. There are ruthless men and women and there are weak women and strong men. Schwalb doesn’t hold back on that front. Or any other, for that matter.

The novel is pretty hefty at 304 pages with fairly small font, and no description is spared. The fabrics in the markets, the leather armour worn by warriors, the tunics of wizards, smells, textures, spells… Everything is looked into and everything is given to the reader uncompromisingly.

Also no compromise is reached when is about the brutality of the land and its people, though, and that is a good thing. Unless you don’t like graphic descriptions of gore, violence and the unpleasantness of human (and other races) nature. Make no mistake; this novel could give any of the Game of Thrones series a run for their blood. From the quick death by beheading to the struggle to kill another gladiator in the arena with multiple blows, if a detail needs to be there, the author makes sure is there in exquisite detail.

Same goes for the ways of the land. Halflings are unpleasant and untrustworthy – at last a proper Athasian halfling! – and elves are far from the noble race we’re used to; just as they should be in Athas. And magic is lethal; properly and really lethal. And yet, there’s so much of it!

This is possibly the only thing about this novel that has taken me aback a bit. There’s barely any psionic activity. The Way is almost absent. Although I can understand it would add yet another element to follow, add even more material to the book and make it even more complicated to follow, leaving behind something as inherent to the Dark Sun universe feels strange.

One worrying thing, though, is that there’s no editor listed in the credits. The reason I find that worrying is because this wouldn’t be the first novel published by Wizards of the Coast that leaves the printers without any editing. “City Under the Sand” suffered from that oversight, which I consider unforgivable.

Everything else is absolutely fantastic, though, and if that were indeed the case and the editing had been omitted, that only turns the author awesometer a notch higher, because this novel is excellent as it is.

One of my friends complains that D&D novels suffer from a big problem, either they are written by great writers who have no understanding of the D&D universe, or they are written by mediocre writers who do understand it. There’s no doubt Schwalb understand Athas and the Dark Sun universe better than any other writer before him. And that is saying quite a lot. Thank goodness he’s also vey talented as a writer and manages to convey that understanding also better than anyone else. As far as I’m concerned, he’s the perfect storm D&D novels need. Badly.

By now you would have guessed I truly love this book and will be one I read again. I would go as far as to say anyone who’s ever run a game of Dark Sun in any of its editions should give this one a serious go. Even with the near absence of Psionics, this is the true Athas.

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  • Sales Rank: #304502 in Books
  • Published on: 2014-03-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 1.11" w x 8.50" l, 2.50 pounds
  • Binding: Paperback
  • 492 pages

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Ideal for courses in introductory or ancient and medieval philosophy, The Great Conversation: A Historical Introduction to Philosophy, Volume I: Pre-Socratics through Descartes covers the same material as the first half (chapters 1-13) of author Norman Melchert's longer volume, The Great Conversation. Now in its fifth edition, this historically organized introductory text treats philosophy as a dramatic and continuous story--a conversation about humankind's deepest and most persistent concerns. Tracing the exchange of ideas between history's key philosophers, the book demonstrates that while constructing an argument or making a claim, one philosopher almost always has others in mind. It addresses the fundamental questions of human life: Who are we? What can we know? How should we live? and What sort of reality do we inhabit?
The fifth edition retains the distinctive feature of previous editions: Melchert provides a generous selection of excerpts from major philosophical works and makes them more easily understandable to students with his lucid and engaging explanations. Ranging from the Pre-Socratics to Descartes, the selections are organized historically and include four complete works: Plato's Euthyphro, Apology, and Crito, and Descartes' Meditations on First Philosophy. The author's commentary offers a rich intellectual and cultural context for the philosophical ideas conveyed in the excerpts. Extensive cross-referencing shows students how philosophers respond appreciatively or critically to the thoughts of other philosophers. The text is enhanced by two types of exercises--"Basic Questions" and "For Further Thought"--and more than thirty-five illustrations.

New to the Fifth Edition:

* New profiles of Muslim and Jewish thinkers, including Avicenna (Ibn Sina), Averroës (Ibn Rushd), and Maimonides (Moses ben Maimon)
* Improved translations of several of Plato's works, including Protagoras, Gorgias, Phaedo, Symposium, Meno, and the Republic
* Review questions that are now dispersed throughout the chapters (instead of at chapter ends) to follow relevant passages and facilitate classroom discussion
* Eight new images, including explanatory cartoons that help students understand key concepts
* A revised Instructor's Manual and Test Bank containing essential points, teaching suggestions, and multiple-choice, short-answer, and essay exam questions

Also available to suit your course needs: The Great Conversation: A Historical Introduction to Philosophy, Fifth Edition (combined volume covering the Pre-Socratics through Derrida and Quine) and The Great Conversation: Volume II: Descartes through Derrida and Quine, Fifth Edition (includes chapters 12-26 of the combined volume).

  • Sales Rank: #1704438 in Books
  • Published on: 1998-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 7.75" w x 1.25" l, 2.80 pounds
  • Binding: Hardcover
  • 1 pages

Review

"Melchert's book is unquestionably the best philosophy textbook I have ever read. My students love the book. Melchert writes with utter clarity and his examples are superb. His careful choice of primary sources and brilliant use of them in his prose is nothing short of genius. I generally cringe at the wooden writing style of textbooks, and find some philosophy texts particularly deadly. Melchert's text shatters all of my textbook nightmares. " --Thomas Bell, Brevard College


About the Author
Norman Melchert is at Virginia Commonwealth University (Emeritus).

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11 of 11 people found the following review helpful.
The just-right philosophy book
By Aaron S. Becker
A professor of mine in college assigned this book for a class, and it quickly became my favorite book of all time and remains so a decade later. I have what I would consider a sizable passion for philosophy, but I found taking a survey of the great philosophers rather difficult. Reading the primary, original texts are often opaque and dense at best (and there is no way one can read everything, even by a single philosopher), but many books that claim to be "introductions" to the greats are often very terse and rarely get too deep into the material.

This book is just-right. It introduces you to the the major philosophers neither by overly simplifying them or batting you over the head with their details.

Finally, as the title of the book suggests, Melchert wonderfully connects these philosophers together showing how they influenced each other and how different philosophers attempt to answer the same fundamental questions.

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Excellent overview - highly recommended for majors and for anyone who wants to know more about the history of philosophy
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This book provides a highly readable and accessible introduction to some of the major participants and their important contributions to the historical and ongoing conversation that is philosophy. Philosophy, as it developed in the Western tradition, is not a set of doctrines or ideas; it is, rather, a kind of ongoing conversation that began with the ancient Greeks and continues into the present. It turns out there are certain basic questions, that keep coming up, but that always call for a reasoned response that is both attentive to the specific context in which they arise and aware of the ways in which the question has been addressed before, in other contexts. Contemporary discussions on philosophical topics cannot fully be understood in isolation from this "great conversation."

Reading this would be a good way for the undergraduate philosophy student to "fill in the gaps" in their grasp of the context for the topics they are interested in; while it is no substitute for going through the primary texts, it does include several excerpts from primary texts and manages to represent the dominant concerns of most thinkers included in a way that is clear and accessible without oversimplification. The primary value of this text would be to provide an outline of the main thinkers and issues and methods, that would serve as a basis for more thorough exploration. The book does include helpful guidance for the reader who wants to explore a particular thinker or topic further. One might quibble about what is left out in this overview -- I wish there were a chapter on Rousseau, for example -- but what is astonishing is how much he manages to cover in a single volume. He covers nearly all of the major "canonical" movements and thinkers from the time of the ancient Greeks to contemporary analytic and continental philosophy. It is quite an accomplishment and a rewarding read. Highly recommended.

1 of 1 people found the following review helpful.
AMAZING!
By Francis
In class we are using the 5th addition, but my professor said it was fine to use the fourth edition because it was cheaper. Well I bought this one thinking it was the 5th addition, turned out its the 3rd edition and its only A PAGE off from the 5th edition. Love it :)

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  • Binding: Hardcover

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CUDA is a computing architecture designed to facilitate the development of parallel programs. In conjunction with a comprehensive software platform, the CUDA Architecture enables programmers to draw on the immense power of graphics processing units (GPUs) when building high-performance applications. GPUs, of course, have long been available for demanding graphics and game applications. CUDA now brings this valuable resource to programmers working on applications in other domains, including science, engineering, and finance. No knowledge of graphics programming is required–just the ability to program in a modestly extended version of C.

 

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  • Sales Rank: #42016 in Books
  • Published on: 2010-07-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 7.30" l, 1.15 pounds
  • Binding: Paperback
  • 312 pages

From the Back Cover
""This book is required reading for anyone working with accelerator-based computing systems.""-From the Foreword by Jack Dongarra, University of Tennessee and Oak Ridge National LaboratoryCUDA is a computing architecture designed to facilitate the development of parallel programs. In conjunction with a comprehensive software platform, the CUDA Architecture enables programmers to draw on the immense power of graphics processing units (GPUs) when building high-performance applications. GPUs, of course, have long been available for demanding graphics and game applications. CUDA now brings this valuable resource to programmers working on applications in other domains, including science, engineering, and finance. No knowledge of graphics programming is required-just the ability to program in a modestly extended version of C. "CUDA by Example, " written by two senior members of the CUDA software platform team, shows programmers how to employ this new technology. The authors introduce each area of CUDA development through working examples. After a concise introduction to the CUDA platform and architecture, as well as a quick-start guide to CUDA C, the book details the techniques and trade-offs associated with each key CUDA feature. You'll discover when to use each CUDA C extension and how to write CUDA software that delivers truly outstanding performance. Major topics covered include

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  • Thread cooperation
  • Constant memory and events
  • Texture memory
  • Graphics interoperability
  • Atomics
  • Streams
  • CUDA C on multiple GPUs
  • Advanced atomics
  • Additional CUDA resources
All the CUDA software tools you'll need are freely available for download from NVIDIA.http: //developer.nvidia.com/object/cuda-by-example.html

About the Author

Jason Sanders is a senior software engineer in the CUDA Platform group at NVIDIA. While at NVIDIA, he helped develop early releases of CUDA system software and contributed to the OpenCL 1.0 Specification, an industry standard for heterogeneous computing. Jason received his master’s degree in computer science from the University of California Berkeley where he published research in GPU computing, and he holds a bachelor’s degree in electrical engineering from Princeton University. Prior to joining NVIDIA, he previously held positions at ATI Technologies, Apple, and Novell. When he’s not writing books, Jason is typically working out, playing soccer, or shooting photos.

 

Edward Kandrot is a senior software engineer on the CUDA Algorithms team at NVIDIA. He has more than twenty years of industry experience focused on optimizing code and improving performance, including for Photoshop and Mozilla. Kandrot has worked for Adobe, Microsoft, and Google, and he has been a consultant at many companies, including Apple and Autodesk. When not coding, he can be found playing World of Warcraft or visiting Las Vegas for the amazing food.

Most helpful customer reviews

67 of 71 people found the following review helpful.
A good introduction to CUDA C which could well supplant its competition
By Alexandros Gezerlis
"CUDA by example: an introduction to general-purpose GPU programming" is a brand new text by Jason Sanders and Edward Kandrot, senior members of NVIDIA's CUDA development team. This is basically the second introductory text to hit the market on general-purpose GPU programming, the first one being "Programming Massively Parallel Processors: A Hands-On Approach" by David Kirk and Wen-Mei Hwu.

The Good: it is not very common to find a technical book in this price range that is not simply in greyscale. Perhaps unsurprisingly for an NVIDIA book there's quite a bit of green, and this definitely enhances the reading experience. On a more substantive note: the authors really mean the "by example" part of "CUDA by example". From chapter 3 onward, all the main concepts are fleshed out by showing and dissecting lots of code -- probably more so than in Kirk & Hwu's text, which includes application case studies, but also more extensive treatments of the CUDA architecture. As with any example-based book, it is important to run and modify the programs while reading through the text. Right now there are a few hiccups with the files Sanders & Kandrot were kind enough to provide (e.g. as of this writing README.txt and license.txt do not have the appropriate permissions set), but I'm pretty sure these are just teething troubles which will disappear soon enough. The writing is cheerful (e.g. "For those readers who are more familiar with Star Trek than with weaving, a warp in this context has nothing to do with the speed of travel through space.", p. 106) and the explanations are for the most part clear, the language being pretty lucid -- once again, probably more so than in the Kirk & Hwu volume. This fact, along with the availability of lecture slides and lab materials for the latter book, points to the main difference between the two texts: Sanders & Kandrot are better-suited to a self-study of CUDA C, while the Kirk & Hwu book is more of a class textbook (and thus broader). Finally, I was pleased to see Sanders & Kandrot include a whole chapter (chapter 11) on working with multiple GPUs, a topic Kirk & Hwu relegate to a short section.

The Bad: having color is a welcome addition, but I could not understand why the authors chose to simply follow the text editor's default highlighting of keywords when they could have used color to highlight specific portions of the code. Similarly, a number of figures (e.g. Figs. 5.5 and 8.1) are described in the text as containing green, but they show up in greyscale. The book also contains quite a few minor typos, but that's normal; what's not normal is that every single section cross-reference outside the appendix is wrong (I counted 16 in total). Moving on to more consequential matters: Kirk & Hwu have a chapter on floating point topics; given that numerical computations are certainly part of general-purpose GPU programming, Sanders & Kandrot could have said more about them. On a different note, Kirk & Hwu have a chapter on the competing programming model OpenCL, while Sanders & Kandrot do not even have an index entry on it -- one might counter-argue here that they have knowingly put CUDA in the title. This brings me to my main gripe with this book: why didn't the authors just call it "CUDA C by example"? I believe the answer is connected to their ambivalence toward C++. An illustrative example: new and delete are used in host code only once in the entire volume (on p. 82 and p. 84, respectively), but when the code snippets are shown again (on pp. 86-87) new and delete have been silently replaced by malloc and free! In the case of device code, the authors do not discuss CUDA-supported C++ constructs like default parameters, namespaces, function templates, not to mention compute capability 2.0 things like function objects. (Structures with member functions do not beget C++). In a nutshell, the book contains too much C++ for people who only know C, and not enough C++ for those who actually use that language.

Despite these misgivings, I cannot ignore this book's low selling price (especially on the Kindle), its practical focus on a multitude of code listings, and the fact that its explanations are generally clear. Thus, I think it is an appropriate buy for those interested in learning about CUDA C.

Alex Gezerlis

17 of 18 people found the following review helpful.
The best introduction to CUDA by far.
By Mark A. Peot
This is an excellent introduction to CUDA. The prose and content are excellent: I read it cover-to-cover in a single sitting and enjoyed every page.

The authors clearly explain the basic CUDA paradigm starting with very simple code and working up to progressively more complex examples. The authors spend a considerable amount of time discussing different memory types and memory access styles, motivating when each style is appropriate. The code snippets are clean, clear and concise, providing a minimal yet complete introduction to each new language feature.

Highly recommended!

The book does not provide an HTML pointer to the source code used in the book. Edward Kandrot writes: "The Kindle version shipped a week too soon, it was supposed to ship next week when the physical book ships. Because of this, the website at NVIDIA wasn't done yet. Jason just spent the day making the website happen!

[...] is where the source code is currently located. I hope this helps. I wrote the examples to be specific for what is being covered, putting extras in the header files so as not to distract from the topic at hand. Only really works if the reader has the header files as well..."

17 of 18 people found the following review helpful.
Great starting point for learning CUDA.
By K. Tillman
I downloaded CUDA by Example on the Kindle and starting reading it. Sanders and Kandrot provide a nice step by step walk through of how to program with CUDA and the examples are really straight forward. It begins with the basic hello world introduction to the programming model, then dives deeper into the different API features with examples in each chapter.
I would recommend this book to anyone who wants to get started using CUDA.
(Found the source code online, not sure what the other review is about.)

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