Kamis, 31 Januari 2013

[C959.Ebook] Free PDF Waiting for Snow in Havana: Confessions of a Cuban Boy, by Carlos Eire

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Waiting for Snow in Havana: Confessions of a Cuban Boy, by Carlos Eire

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Waiting for Snow in Havana: Confessions of a Cuban Boy, by Carlos Eire

“Have mercy on me, Lord, I am Cuban.” In 1962, Carlos Eire was one of 14,000 children airlifted out of Havana—exiled from his family, his country, and his own childhood by Fidel Castro’s revolution. Winner of the National Book Award, this stunning memoir is a vibrant and evocative look at Latin America from a child’s unforgettable experience.

Waiting for Snow in Havana is both an exorcism and an ode to a paradise lost. For the Cuba of Carlos’s youth—with its lizards and turquoise seas and sun-drenched siestas—becomes an island of condemnation once a cigar-smoking guerrilla named Fidel Castro ousts President Batista on January 1, 1959. Suddenly the music in the streets sounds like gunfire. Christmas is made illegal, political dissent leads to imprisonment, and too many of Carlos’s friends are leaving Cuba for a place as far away and unthinkable as the United States. Carlos will end up there, too, and fulfill his mother’s dreams by becoming a modern American man—even if his soul remains in the country he left behind.

Narrated with the urgency of a confession, Waiting for Snow in Havana is a eulogy for a native land and a loving testament to the collective spirit of Cubans everywhere.

  • Sales Rank: #10961 in Books
  • Brand: Free Press
  • Model: 1667033
  • Published on: 2004-12-24
  • Released on: 2004-01-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.00" w x 5.50" l, .81 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Great product!

From Publishers Weekly
"Metaphors matter to me, especially perfect ones," Yale historian Eire writes in this beautifully fashioned memoir, as he recounts one of many wonderfully vibrant stories from his boyhood in 1950s Havana. As imaginatively wrought as the finest piece of fiction, the book abounds with magical interpretations of ordinary boyhood events-playing in a friend's backyard is like a perilous journey through the jungle; setting off firecrackers becomes a lyrical, cosmic opera; a child's birthday party turns into a phantasmagoria of American pop cultural icons. Taking his cue from his father, a man with "a very fertile, nearly inexhaustible imagination, totally dedicated to inventing past lives," Eire looks beyond the literal to see the mythological themes inherent in the epic struggle for identity that each of our lives represents. Into this fantastic idyll comes Castro-"Beelzebub, Herod, and the Seven-Headed Beast of the Apocalypse rolled into one"-overthrowing the Batista regime at the very end of 1958 and sweeping away everything that the author holds dear. A world that had been bursting with complicated, colorful meaning is replaced with the monotony of Castro's rhetoric and terrorizing "reform." Symbols of Jesus that had once provided spiritual enlightenment by popping up in the author's premonitions and dreams were now literally being demolished and destroyed by a government that has outlawed religion. The final cataclysm comes when Eire and his brother, still young boys, are shipped off to the United States to seek safety and a better life (another paradise, perhaps). They never see their father again.As painful as Eire's journey has been, his ability to see tragedy and suffering as a constant source of redemption is what makes this book so powerful. Where his father believed that we live many lives in different bodies, Eire sees his own life as a series of deaths within the same body. "Dying can be beautiful," he writes, "And waking up is even more beautiful. Even when the world has changed." Taking his cue from his beloved Jesus, the author believes that we repeatedly die for our sins and are reborn into a new awareness of paradise. How fortunate for readers, then, that by way of Eire's "confessions," they too will be able to renew their souls through his transcendent words.
Copyright 2002 Reed Business Information, Inc.

From The New Yorker
At the start of the nineteen-sixties, an operation called Pedro Pan flew more than fourteen thousand Cuban children out of the country, without their parents, and deposited them in Miami. Eire, now a professor of history and religion at Yale, was one of them. His deeply moving memoir describes his life before Castro, among the aristocracy of old Cuba—his father, a judge, believed himself to be the reincarnation of Louis XVI—and, later, in America, where he turned from a child of privilege into a Lost Boy. Eire's tone is so urgent and so vividly personal (he is even nostalgic about Havana's beautiful blue clouds of DDT) that his unsparing indictments of practically everyone concerned, including himself, seem all the more remarkable.
Copyright © 2005 The New Yorker

From Booklist
Eire's complex, introspective memoir begins the day his world changed: when Castro's troops sent President Batista into exile far from Cuba in 1959. The son of a judge who believed himself to be Louis XVI reincarnated, Carlos, along with his older brother, Tony, spent his days playing with fireworks and lizards. He attended an elite school, where Batista's children were his classmates. Carlos' biggest worries were the disapproving stares he received from a portrait of Maria Theresa of Austria and Jesus, who would sometimes appear in the window to him. All of that changed when Castro came to power; suddenly, attending a prestigious school or driving a classy car was dangerous. The Eire family remained in Cuba even as others left, until finally Eire's parents sent Carlos and Tony to Florida, where a very different life awaited them. Years passed before their mother joined them, but Carlos never saw his father again. In this open, honest, and at times angry memoir, Eire bares his soul completely and captivates the reader in the process. Kristine Huntley
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

98 of 102 people found the following review helpful.
Memories, memories!
By J. Suarez
We hear the figure of six million dead Jews in the Hollocaust and we can't grasp it. We read Ann Frank and we weep. Sometimes tragedies that overwhelm us in macroeconomic terms, become reality when viewed through the eyes of one individual. Carlos Eire has been able to do this.

Like Mr. Eire I grew up in Havana in the 50's. I too was a Pedro Pan in the 60's. I too came without a penny and have been able to make my way in this wonderful new land. Each of his "facts" and memories correspond to my facts and memories of the same period. The book is as true to life as it can be for me and a great refresher for others who may have lived through similar times. For those not familiar with this period, the careful details he enumerates bring to life a society that has been gone for half a century. I commend the author on this great work.

1 of 1 people found the following review helpful.
Waiting for Snow in Havana - an immigrant's story. Review
By Anonymous
I thought the book was a bit long, and at times rambling, jumping back and forth between countries and times, but it is really a wonderful
story of a little boy who's life (at times hysterically funny, at others, incredibly sad) before, during and after Castro's revolution. After reading
this, it's easy to see why Cubans who live in Miami don't trust the current state of their old country under Fidel's brother's rule. The author was
very forthright about how he felt about The Revolution, and how it affected his Mother, who understood what was happening and did everything she could to get her two sons out of Cuba to have a better life, and his Father, who just couldn't give up what he knew and hated...I knew nothing about the author until I read about him at the end of the book. He is a real testament to immigrants who come to America, assimilate, and go on to achieve great things in life. It's an inspiring story, but just could have been a little shorter in length...the strength of his story wouldn't have been diminished.

1 of 1 people found the following review helpful.
Picture perfect view of an upper middle class youth living in ...
By R. jimenez
Picture perfect view of an upper middle class youth living in Havana's Miramar, son of a judge and a worrying Cuban mother, and attending the best social clubs like Havana Yacht Club. For someone like me, a Cuban, the scenes are familiar in the extreme, and Eire does a fantastic job of showing them to the reader. Carlos is the young kid growing up, and being a kid, together with friends who love firecrackers and hate lizards. The story is ultimately very humorous and insightful as to what Cubans of that generation were like although the author shows an intimate knowledge of what social strata were like, especially the pretense among white Cubans that blacks were not suffering discrimination in the country; it was a soft, benevolent discrimination. Fidel and Che come to the picture, and everyone in Havana, in Cuba, realizes there is snow in the North, the USA, and they wait for their turn to escape to the snow. I found this book irresistible, impossible to put down. Read it. You will not be sorry.

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Selasa, 29 Januari 2013

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  • Sales Rank: #2483942 in Books
  • Published on: 1600
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Senin, 21 Januari 2013

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  • Sales Rank: #630998 in Books
  • Published on: 2016-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.92" h x .79" w x 6.97" l, 1.75 pounds
  • Binding: Hardcover

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1 of 1 people found the following review helpful.
Beautiful pictures and the most delicious healthy deserts
By Amazon Customer
Outstanding book! Beautiful pictures and the most delicious healthy deserts. Highly recommend!!!

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Sabtu, 19 Januari 2013

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  • Published on: 2011-09-25
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Senin, 07 Januari 2013

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Soul Babies: Black Popular Culture and the Post-Soul Aesthetic, by Mark Anthony Neal

In Soul Babies, Mark Anthony Neal explains the complexities and contradictions of black life and culture after the end of the Civil Rights era. He traces the emergence of what he calls a "post-soul aesthetic," a transformation of values that marked a profound change in African American thought and experience. Lively and provocative, Soul Babies offers a valuable new way of thinking about black popular culture and the legacy of the sixties.

  • Sales Rank: #876618 in Books
  • Color: Multicolor
  • Published on: 2001-11-04
  • Released on: 2001-11-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .55" w x 5.98" l, .86 pounds
  • Binding: Paperback
  • 240 pages

From Publishers Weekly
From Sanford and Son to Snoop Doggy Dog, Soul Babies: Black Popular Culture and the Post-Soul Aesthetic looks at the last three decades of black images and representations. State University of New York, Albany, professor of English and Africana Studies Mark Anthony Neal focuses on the way that music, film and television were altered on the one hand by integration and on the other hand by the pessimism and social unrest among black Americans in the '70s and '80s. Neal also discusses the work of young black intellectuals of the "post-soul" generation, the first to be part of an integrated yet increasingly isolated academy.

Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Neal (African American studies & English, SUNY, Albany; What the Music Said: Black Popular Music & Black Popular Culture) has written a provocative study of African American popular culture since the Black Power and Civil Rights era. Using his wide knowledge of popular culture and political events, he argues that the media's integration of blacks in the 1960s, with television shows like Julia and I Spy, was at best a partial bow. Introducing a new concept of "Post-Soul Aesthetic" to black cultural criticism, Neal thoughtfully asserts that contemporary black culture, especially rap and hip-hop music, provides a much more satisfying and varied, if often ambiguous and problematic, mirror of black values and models. His sources range from music to comic strips like Boondocks to comedians like Eddie Murphy. This is a very important work, marred only by a tendency to use too much postmodernist jargon, which will discourage general readers. Recommended for large academic libraries. A.O. Edmonds, Ball State Univ., Muncie, IN
Copyright 2002 Reed Business Information, Inc.

Review
..."validates Neal's intellectual and practical contribution to the fields of popular culture and Black cultural studies."
-Deborah Elizabeth Whaley, "American Studies, Fall 2002
"[Neal] makes a significant theoretical contribution to the existing intellectual work on Black popular culture."
-Deborah Elizabeth Whaley, "American Studies, Fall 2002
...".carves out a well-defined intellectual and theoretical space for the post-soul generation--the "soul babies of history."
-Deborah Elizabeth Whaley, "American Studies, Fall 2002
"this is a subtle and refreshing look at the aesthetic sensibilities of "Generation Hip-Hop" . . .."
-Choice, June 2002
"Mark Anthony Neal is that rare and gifted writer and thinker who can move easily between street corners and academia, hip-hop heads and high-brow intellectuals, as well as pop cultural markers as different as "Good Times" and "Batman." Indeed, Soul Babies recalls the best iconoclastic work of W.E.B. DuBois, E. Franklin Frazier, and bell hooks. Yes, Neal is that kind of intellectual giant-in-the-making: brutally honest with razor-sharp insights, and so ahead of his time that he is one of the voices we will look to many years from now for interpretations of these first days of the 21st century.."
-Kevin Powell, editor of "Step Into a World: A Global Anthology of the New Black Literature

Most helpful customer reviews

7 of 9 people found the following review helpful.
Solid Book
By T.
Neal's Soul Babies is a good book on black music through a postmodern lens. A lot of the concepts he talks about are dense, but he does write in a compelling way, and the subject matter (ranging from Good Times to R Kelly) is interesting as well. If you want to approach black popular culture from an academic, intellectual way, then this is an excellent book. If you are looking for a coffee table book with pictures, this ain't the book.

1 of 31 people found the following review helpful.
It's A Dirty Shame to Condemn Them.
By Betty Burks
These interracial children will never be accepted by the whites or the blacks as belonging to their race; they will always be misfits as kids and as adults. It wasn't meant to be in God's plan for this world. Who Takes The Blame? August 13, 2006

In February, 1969, a study titled "Black-White Contact in Schools: Its Social and Academic Effects" was published by Purdue University sociologist Martin Patchen. In it, he concludes "Available evidence indicates that interracial contact in schools does not have consistent positive effects on students' racial attitudes and behavior or on the academic prformance of minority students." In March, it was declared that the AIDS virus started in Africa and on the Caribbean island, Haita and spread to the United States via tourists. Get this! Susan Sontag decided in 1988 that "the virus was sent to Africa from the U.S. as an act of bacteriological warfare" as a conspiracy.

July, 1985, a survey conducted in New York City using the HIV antibody test finds that of frequent drug users, 87 percent carried the infection. The majority of the addicts were black and Hispanic. In August 1988, on Zachary's birthday, Jean-Michael Basquiat died in New York village of a heroin overdose at the age of 27 (Zach was 26 then). He was a graffiti artist whose pieces sold for $50,000 at the time of his death. There was a lot of debate about his artistic worth.

This book traverses the years 1979 to 1989 in America and is mostly about the singers and groups in the entertainment area but also writers which proliferated during that time. It is the time of affirmative action and Clarence Thomas who was married to a Causcasian woman but courted the office girls and almost lost his nomination. I watched it all on t.v. The girl took all the blame, and she was honest and above-board, blameless. The results of overcompensation has caused much turmoil for us all in America and some are deceitful by trying to pull the wool ober the eyes of political figures to the detriment of everybody.

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Kamis, 03 Januari 2013

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Der zweite Band des Wiener Jahrbuch für Kurdische Studien, der im Auftrag der Österreichischen Gesellschaft zur Förderung der Kurdologie / Europäisches Zentrum für kurdische Studien herausgegeben wird, hat den Schwerpunkt: Die Geschichte von Kurdischen Studien und Kurdologie. Nationale Methodologien und transnationale Verflechtungen. Seit der Mitte des 19. Jahrhundert wurden Kurdische Studien in Russland und in verschiedenen mittel- und nordeuropäischen Ländern in Angriff genommen. Die vielversprechenden Entwicklungen fanden jedoch nach dem ersten Weltkrieg oft ein jähes Ende. Generell kann festgestellt werden, dass die Geschichte der Kurdischen Studien seit den Anfängen im 19. Jahrhunderts eng mit Kriegen, Expansionsbestrebungen und wirtschaftspolitischen Intentionen verbunden war und bis heute ist. Als eigenständige Disziplin ist die Kurdologie beziehungsweise sind Kurdische Studien heute an Universitäten in Kurdistan, in mehreren europäischen Ländern, in Russland und den USA verankert. In den Beiträgen von international anerkannten Wissenschaftlerlnnen werden die unterschiedlichen nationalen Methodologien und transnationalen Verbindungen aufgezeigt. Beitrage außerhalb des Schwerpunktes und Hintergrundinformationen zu aktuellen Themen sowie Rezensionen, Tagungsberichte und die Berichte der Gesellschaft sind weitere wichtige Bausteine dieses Jahrbuches.

  • Published on: 2015-05-23
  • Original language: German
  • Dimensions: 8.27" h x 1.40" w x 5.83" l,
  • Binding: Paperback
  • 620 pages

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This is the ultimate compendium for the dancing queens and the hustle-happy who put on their boogie shoes, shook their groove thing, and felt the night fever!
From its beginnings in Paris, disco quickly spread around the world, taking hold of a small club on L.A.'s Sunset Strip and ultimately becoming a lifestyle that influenced everything from music and dancing to movies to fashion. Disco captures this incredible phenomenon with great storytelling and lavish photos and memorabilia from the 1960s, '70s, and '80s.

  • Sales Rank: #606793 in Books
  • Published on: 2011-07-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.16" h x 9.47" w x 12.32" l, 3.26 pounds
  • Binding: Hardcover
  • 256 pages

About the Author
Johnny Morgan is an editor, author and journalist; he has contributed to a variety of popular music-based titles and written several music reference titles. He has been a consulting editor on books including the New York Times bestselling Hippie and The Clash by The Clash.

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0 of 1 people found the following review helpful.
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By ronn123
Anyone that loves disco needs this book!

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Five Stars
By Bad Boy Mike
Great book on the culture and the understanding how disco became to be.

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By Very Wealthy 999
Well written & good pictures

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