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I Will Marry When I Want (African Writers), by Ngugi wa Thiong'o, Ngugi wa Mirii
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This is the renowned play which was developed with Kikuyu actors at the Kamiriithu Cultural Centre at Limuru. It proved so powerful, especially in its use of song, that it was banned and was probably one of the factors leading to Ngugi's detention without trial. The original Gikuyu edition went to three printings in the first three months of publication.
- Sales Rank: #561844 in Books
- Published on: 1982-01-01
- Original language: English
- Number of items: 1
- Dimensions: .33" h x 4.67" w x 7.51" l,
- Binding: Paperback
- 128 pages
Language Notes
Text: English (translation)
About the Author
Ngugi is world famous for his novels from Weep Not, Child to Matigari and the impact of his plays, especially in Gikuyu, which led to his detention in Kenya. He is now Professor of Comparative Literature and Performance Studies in New York University. This book reflects many of the concerns found in Decolonising the Mind and Moving the Centre.
Most helpful customer reviews
3 of 3 people found the following review helpful.
I will marry when I want
By J. Kubly
This is a wonderful play and as a reader feel lucky to have been able to share the insights offered through story since it is designed to be performed. The play tells of the time not too long after Kenya claimed its inderpendence. The play eludes the struggles the people of Africa continued to have and the remaining hold European imperialism remainingly has on their culture, their people, and their lives. Very insightful, written in black and white, very little interpretation needed. A must read.
4 of 5 people found the following review helpful.
The play that incarcerated its writer, still great 30 years on!
By fivefingersfivetoes
A fantastic play from Ngugi and Kamiriithu, the group who put the play on. Ngugi talks of this play in 'Decolonising the Mind' and 'Detained,' his prison diary that he wrote after being incarcerated for a year due to his involvement with writing the play. After reading it, it is understandable why the Kenyan government felt threatened by it - it talks candidly about neocolonialism, is filled with Gikuyu songs and proverbs, and chants the message of the famous Mau Mau rebellion. In short, it is a reminder for and by the people that Kenya IS the people and will never be anything less.
0 of 0 people found the following review helpful.
A bit light and lacks realism that I like in books about rebellions
By Anna Faktorovich
Ngugi's radical work that looks at forced marriage and a rebellion in Africa - a very intense read. A bit light and lacks realism that I like in books about rebellions - still really strong work.
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