Sabtu, 28 Maret 2015

[R894.Ebook] Ebook Ongoing Crisis Communication: Planning, Managing, and Responding3rd (Third) Edition, by W. (William) Timothy (Tim) Coombs

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Ongoing Crisis Communication: Planning, Managing, and Responding3rd (Third) Edition, by W. (William) Timothy (Tim) Coombs

  • Sales Rank: #4112118 in Books
  • Published on: 2011
  • Number of items: 2
  • Binding: Paperback

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Kamis, 26 Maret 2015

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Senin, 23 Maret 2015

[A952.Ebook] Ebook Roman Portraits: Sculptures in Stone and Bronze in the Collection of The Metropolitan Museum of Art, by Paul Zanker

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Roman Portraits: Sculptures in Stone and Bronze in the Collection of The Metropolitan Museum of Art, by Paul Zanker

Portraits are among the most compelling artistic records of Greek and Roman culture. In this richly illustrated book featuring all new photography, the 60 portrait heads from the Metropolitan Museum’s renowned collection are fully described, and placed in their historical and cultural contexts. Roman Portraits presents a thorough and multifaceted survey of Roman stone and bronze portraiture as well as a brief overview of the history of ancient portraiture. Unearthing the evolution of this art from its origins in Greece through the Roman Empire, Paul Zanker, the foremost authority on Roman art today, brings these imposing, timeless renderings to life.

  • Sales Rank: #224104 in Books
  • Published on: 2016-12-13
  • Original language: English
  • Dimensions: 11.40" h x 1.20" w x 9.80" l, .0 pounds
  • Binding: Hardcover
  • 296 pages

About the Author
Paul Zanker is visiting professor at the Institute of Fine Arts, New York. 

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3 of 3 people found the following review helpful.
First extensive analysis of Roman portraiture in the Metropolitan Museum's collections!
By Mary
The first comprehensive overview of the Metropolitan Museum of Art 's Roman portrait collection has just been released and I was unexpectedly thrilled to receive a review copy! Entitled "Roman Portraits: Sculpture in Stone and Bronze", the text is written by Roman classicist Paul Zanker and not only presents an analysis of style, condition, post-ancient modifications and even controversial aspects of each piece but defines the historical and social circumstances surrounding their creation and how these unique contexts influenced their individual qualities.

"The political self-image of individual rulers was all-important to in the creation of emperor's portraits," Zanker explains, "The emperor himself or his advisor dictated to the sculptor who created the prototype how he wished to be seen by his subjects - as detached , close to the people, energetic, or determined and assertive."

But images of emperors and empresses share space with those of less exalted citizens, too, even children as young as a few months old. The text is also lavishly illustrated and includes beautifully illuminated photographs, often from multiple angles, allowing the reader to examine even minute details of each work.

As I have photographed the ancient collections of museums around the world I have often wondered how different sculptures are attributed to different dynasties when epigraphic evidence is lacking. By reading the often abbreviated identification information displayed with each portrait I learned that often a piece is said to be Augustan, Flavian, Trajanic or Antonine based on the subject's hairstyle, beard (or lack thereof) or some perceived stylized aspect of the face, the pose, or objects included in the work. Zanker provides in-depth discussions of these attributes and how comparative analysis with other known works is often vital to making such determinations.

I've always preferred the more realistic portraits of Hellenistic Greeks and Romans to the heavily stylized statues of ancient Egypt. But I learned that even the Romans incorporated certain stylistic aspects to their portraits and, at times, their physical appearance may not have actually resembled the official portraits displayed in public spaces.

Recently, there was a discussion of the new Netflix series "Roman Empire: Reign of Blood" in our Roman History Reading group on Facebook and several people protested the representations of Marcus Aurelius and Commodus as unrealistic because the actors were not sporting luxuriant curly hair and beards as portrayed on the official portrait statues that have come down to us from antiquity.

Zanker explains, "In contrast to Hadrian's elegant self-presentation, the portraits of the Antonine emperors make their subjects seem benevolent but also always remote. Beginning with the portraits of the emperor Antoninus Pius and continuing with those of Lucius Verus, Marcus Aurelius and his son Commodus, and down to Septimius Severus, all the emperors are depicted with abundant, splendidly curly hair and beards that gradually become ever more luxuriant. Presumably, these hairdos were meant to recall the great Greeks from the past, but unlike the Greeks, the Romans favored elaborate forms that were artful creations."

Zanker says a newly developed technique allowed sculptors to "loosen up the hair in such a way as to produce a lively interplay of light and shadow." So these fanciful portraits were the result of a combination of a desire to project a particular image and the technology to enhance the effect.

Zanker points out, however, that Marcus Aurelius himself, in his philosophical treatise Meditations, alludes to this public deception.

"...the Meditations of Marcus Aurelius presents some idea of the man behind the portrait, indicating that the official image he chose accorded little with his personal state and how he sought to master his existential problems with the guidance of the Stoic philosopher."

I also learned how some portraits have been recarved in relatively recent times to mask damage or imperfections (to make the pieces more marketable perhaps?). Aggressive cleaning applied when a sculpture has been retrieved from underwater also removes some distinctive aspects that could be used to date or identify a work. These modifications are often brought to light through extensive comparisons with other existing portraits of the suspected individual but they can produce confusion about the identity of certain portraits or engender doubts about ancient authenticity altogether. Hopefully, such comparative studies should be facilitated now that more and more collections worldwide are brought online.

Zanker admits, though, that Roman society's practice of emulating the hairstyles of the Imperial family may cause identification problems as well, especially if a portrait represents a child or young adult. Portraits identified as Augustus' adopted grandson, Gaius Caesar, have been questioned when other portraits representing an individual of similar age with a similar hairstyle have been found in contexts inconsistent with Imperial statuary.

Apparently, epigraphic evidence found in the same context as a fragmentary statue can be problematic as well. The Metropolitan Museum's collection includes a bronze head of a man found not far from the Arch of Augustus in Susa (northern Italy at the foot of the Cottian Alps). Nearby, a fragmentary inscription was found stating that a statue was donated for Agrippa by a member of the Cotti family. But the portrait does not resemble other portraits identified as Agrippa so scholars are left puzzling whether the statue actually represented Agrippa or one of the Cotti or the inscription fragment was referring to another statue entirely.

Zanker explains, "The head has been associated repeatedly with Marcus Vipsanius Agrippa, doubtless owing to the inscription found at the same time. But it must be noted that no connection can possibly be made with Agrippa's familiar portrait type. Not only is the stylization of the hair above the forehead completely different, but so are the shape of the head and the facial expression. The Museum's portrait must therefore represent some other high-ranking Roman who was active in the Alpes Cottiae and to whom the son of the last king, Marcus Julius Cottius, felt indebted. The latter had been named praefectus civitatium (high magistrate) by the Romans. However, it is also possible that this is a portrait of Cottius himself, as Federico Barello suspects. The Celtic prince would thus have presented himself, in the cut and style of his hair, as fully 'Roman'."

Zanker also notes that portraits produced in the provinces by less skilled sculptors frequently deviated from Imperial commissioned originals. I can't help but wonder, though, if the sculptors were less skilled or if provincial portraits may have been less stylized than those produced in Rome under the nose of the emperor? I've seen a portrait of Agrippa at The Louvre and I agree that the bronze head found near Susa does not resemble Agrippa at all. But, a case could be made for the identification as Augustus. Not only was the head found near the Arch of Augustus but it would be more in keeping with Agrippa's reticence to glorify himself to approve a statue of Augustus, his emperor and best friend. However, based on what I have learned in this book I would have to admit the hair style is missing the "tongs" of the classic Prima Porta portrayal of the emperor, the jaw and chin are structurally wider and the mouth is distinctly more pronounced and downturned at the corners. Furthermore, the expression is more severe than other portraits of Augustus I have seen, too, where the emperor appears more "ethereal" and aloof from daily cares. There are certainly other portrait heads identified as Augustus, though, that resemble him less than this bronze head. In fact, there are several included in the book identified as Augustus that gave me pause. You can easily see how challenging such identification can be!

As you can probably tell by now, I found this text to be a fascinating read and welcome it as an invaluable reference work that I will use in the future to enrich my understanding of other Roman portraits I encounter in my travels!

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Minggu, 22 Maret 2015

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Jumat, 20 Maret 2015

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Theory and Design for Mechanical Measurements - Fourth Edition, by Richard S. Figliola, Donald E. Beasley

Theory and Design for Mechanical Measurements 4TH EDITION by Richard S. Figliola and Donald E. Beasley. John Wiley & Sons, Inc.,2006 (

  • Sales Rank: #928100 in Books
  • Published on: 2006
  • Binding: Hardcover
  • 541 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Poorly written and organized. This book was required for ...
By Crystal Mullen
Poorly written and organized. This book was required for a class, but everything we used out of the book required verification with other sources to ensure equations and statements we accurate.

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Rabu, 18 Maret 2015

[U824.Ebook] PDF Download Management Challenges for the 21st Century, by Peter F. Drucker

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Management Challenges for the 21st Century, by Peter F. Drucker



Management Challenges for the 21st Century, by Peter F. Drucker

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Management Challenges for the 21st Century, by Peter F. Drucker

Peter F. Drucker discusses how the new paradigms of management have changed and will continue to change our basic assumptions about the practices and principles of management. Forward-looking and forward-thinking, Management Challenges for the 21st Century combines the broad knowledge, wide practical experience, profound insight, sharp analysis, and enlightened common sense that are the essence of Drucker's writings and "landmarks of the managerial profession." --Harvard Business Review

  • Sales Rank: #100326 in Books
  • Brand: Brand: HarperCollins e-books
  • Model: 1050693
  • Published on: 2001-06
  • Released on: 2001-06-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .50" w x 5.31" l, .39 pounds
  • Binding: Paperback
  • 224 pages
Features
  • Used Book in Good Condition

Amazon.com Review
No single person has influenced the course of business in the 20th century as much as Peter Drucker. He practically invented management as a discipline in the 1950s, elevating it from an ignored, even despised, profession into a necessary institution that "reflects the basic spirit of the modern age." Now, in Management Challenges for the 21st Century, Drucker looks at the profound social and economic changes occurring today and considers how management--not government or free markets--should orient itself to address these new realities.

Drucker sees the period we're living in as one of "PROFOUND TRANSITION--and the changes are more radical perhaps than even those that ushered in the 'Second Industrial Revolution' of the middle of the 19th century, or the structural changes triggered by the Great Depression and the Second World War." In the midst of all this change, he contends, there are five social and political certainties that will shape business strategy in the not-too-distant future: the collapsing birthrate in the developed world; shifts in distribution of disposable income; a redefinition of corporate performance; global competitiveness; and the growing incongruence between economic and political reality. Drucker then looks at requirements for leadership ("One cannot manage change. One can only be ahead of it"), the characteristics of the "new information revolution" (one should focus on the meaning of information, not the technology that collects it), productivity of the knowledge worker (unlike manual workers, knowledge workers must be seen as capital assets, not costs), and finally the responsibilities that knowledge workers must assume in managing themselves and their careers.

Drucker's writing career spans eight decades and the years have only served to sharpen his insight and perspective in a way that makes most other management texts seem derivative. While Management Challenges for the 21st Century is no quick airplane read, it is a wise and thought-provoking book that will both challenge and inspire the diligent reader. This book is for people who care about their businesses and careers in the information age--CEOs, managers, and knowledge workers. Highly recommended. --Harry C. Edwards

From Library Journal
In his 31st work, esteemed sociologist Drucker follows his last major management work, Post-Capitalist Society (LJ 2/15/93), with his ideas on how the concept of management is changing, focusing on the major critical issues, problems, practices, and strategies management faces in the new century. Instead of offering a futurist set of predictions, Drucker discusses major challenges facing management that are already manifest in todays rapidly changing world. In a sweeping macro-level analysis of social, economic, and demographic changes at work across the globe, Drucker outlines the changing role of management, the new realities of strategy, how to lead in times of great change, how to develop new information sources for effective decision-making, and how individual workers must assume responsibility for managing their own careers. With his trademark keen insight and his ability to see connections among disparate forces, this visionary thinker has again produced an essential book for all libraries, especially academic collections.Dale F. Farris, Groves, TX
Copyright 1999 Reed Business Information, Inc.

From Booklist
Most of what we've seen from Drucker over the last five years has been autobiographical reminiscences, reissues of earlier classic works, and collections of conversations and writings. This new title is being promoted as Drucker's first major book since Post-Capitalist Society (1993). Even so, it is more a collection of themes--albeit grand ones--that have occupied Drucker during this last decade of the century. And, as Drucker acknowledges, he has already "pilot-tested" much of this material in the form of major articles in Forbes, California Management Review, and Harvard Business Review. His overriding concern is the future challenges we face together as a society. Drucker divorces management from business, arguing that it is the "distinguishing organ of any and all organizations." He examines the concept of productivity as it applies to knowledge workers. Finally, in a crowning finale, he stresses the new demands that will be placed on the individual, concluding that workers will outlive the organizations that employ them--putting responsibility on each of us to "manage [our]selves." David Rouse

Most helpful customer reviews

83 of 87 people found the following review helpful.
The Most Timely of Peter Drucker's Books
By Donald Mitchell
MANAGEMENT CHALLEGES FOR THE 21ST CENTURY is a breakthrough work, even for Peter Drucker. Through 6 impressive essays, Professor Drucker sets the agenda for the next several decades, for every organization and individual. He begins by pointing out that the way most people think about management is all wrong, and immediately needs to be changed. He outlines the needed changes. He then picks the key strategy issues that will strongly affect all organizations for the next 50 years. Next, he points out that we live in turbulent times and that one must lead the changes that one's organization must make so they occur faster than for the competition. There is no choice for any organization, except to fail to survive. From there, he points out that we have information TECHNOLOGY, but very little information worth looking at on the devices the technology brings us. He goes on to define what must be done to create the right information. In a remarkable section, he then tells how to create knowledge worker productivity (something he has said in the past that no one knows how to do). Finally, he provides a remarkable essay on how to get the most out of yourself, for yourself. These essays were previewed in leading publications, and substantially improved from the originals. There is no repetition of his work and thinking from earlier books. This is like finding a whole new Peter Drucker. I especially loved the new examples that he included, as well as his historical references that only Peter Drucker can make. YOU ARE MAKING A BIG MISTAKE IF YOU FAIL TO BUY, READ, AND APPLY THE IMPORTANT LESSONS OF THIS BOOK. If you read only one book by Peter Drucker, read this one! I was especially pleased to see that he addressed the stalls that delay organizational progress such as the old habits reinforced by tradition, unwillingness to address the new through disbelief, poor communications at all levels (he states the rules that you must follow to be a better communicator and be more effective), needless interactions fostering mindless bureaucracy, the temptation to procrastinate (standing still in front of a truck about to run you over is a mistake you will not repeat), avoiding the unattractive key issues of your organiztion (he recommends doing the dirty jobs yourself for several weeks a year in order to understand how to improve), and failing to set high standards. As always, the book is filled with powerful questions that you can answer for yourself in order to accomplish much, much more and feel great while you do so. Read and apply the lessons of this book and you will have many more 2,000 percent solutions (achieving 20 times the usual results with the same resources or getting the same results 20 times faster).

13 of 13 people found the following review helpful.
A beautiful management mind!
By Max More
Peter Drucker has a beautiful mind, forever fresh and overflowing with innovative thoughts. This book, published just as the master of management began his tenth decade of life, shows him at his perpetual best. The text carries with it the sweeping knowledge, deep experience, and astute analysis that a reader might expect from Drucker at this point in his life. But you will find no timid conservatism, no holding on to safe ground here. Drucker has made a lifelong habit of leading the way in business thought and this book confirms that he just can't help himself.
In contrast to the typical business book which is 200 pages too long, every chapter and every page of Management Challenges for the 21st Century relentlessly tweaks the noses of bad assumptions while focusing our attention on the future. Drucker pulls together diverse trends and forces to map out the truly new management challenges. His first chapter, "Management's New Paradigms" argues that organizations (or what ManyWorlds calls "business architecture") will have to become part of the executive's toolbox, yet we continue to operate on outdated assumptions about the role and domain of management.
Fortunately much recent management thinking explicitly challenges one assumption pulled apart by Drucker: The idea that the inside of the organization is the domain of management. This assumption, says Drucker, "explains the otherwise totally incomprehensible distinction between management and entrepreneurship". These are two aspects of the same task. Management without entrepreneurship (and vice versa) cannot survive in a world where every organization must be "designed for change as the norm and to create change rather than react to it."
Although Drucker is intent on uprooting old certainties and focusing organizations on constant change, he does not leave the reader without a compass. In the second chapter, "Strategy-The New Certainties", Drucker says that strategy allows an organization to be "purposefully opportunistic" and explains five certainties around we can shape our strategy. While other writers have addressed a couple of these, too little attention has been paid to some of the inevitabilities analyzed here, including the collapsing birthrate, shifts in the distribution of disposable income, and the growing incongruence between economic globalization and political splintering.
The book's third chapter, "The Change Leader", gives Drucker's unique perspective on the need for 21st organizations to be change leaders. "One cannot *manage* change. One can only be ahead of it." Change leaders have four qualities. They create policies to make the future which means not only continual improvement but *organized abandonment* - a practice still almost unknown in practice. Contrary to typical company reactions, change leaders will starve problems and feed opportunities. For Drucker this means, in part, having a policy of systematic innovation and - in tune with recent calls for new budgetary practices - having two separate budgets to ensure that the future-creating budget is not stopped off in difficult times.
Strong as the first chapters are, I found the other chapters of this book even more incisive. The reader may come away with the sense that many of Drucker's points are obvious, but will realize that they only *became* obvious after hearing them. In his chapter on "Information Challenges", Drucker gives his own, historically-rich, controversial, and provocative take on our current information revolution - the fourth such revolution, he says).
The man who coined the term "knowledge worker" has no shortage of fresh thoughts in the chapter on "Knowledge-Worker Productivity", and has profoundly important things to say in the final chapter on "Managing Oneself". Management Challenges for the 21st Century is, of course, essential reading for aspiring manager-entrepreneurs in these confusing times. As for aspiring business writers, I can only say: Read it and weep!

0 of 0 people found the following review helpful.
Five Stars
By allldebaran
A true treasure trove of knowledge for managers and employees alike.

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[F681.Ebook] Download The Pickup, by Nadine Gordimer

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The Pickup, by Nadine Gordimer



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The Pickup, by Nadine Gordimer

When Julie Summers' car breaks down in a sleazy street, a young Arab garage mechanic comes to her rescue. Out of this meeting develops a friendship that turns to love. But soon, despite his attempts to make the most of Julie's wealthy connections, Abdu is deported from South Africa and Julie insists on going too - but the couple must marry to make the relationship legitimate in the traditional village which is to be their home. Here, whilst Abdu is dedicated to escaping back to the life he has discovered, Julie finds herself slowly drawn in by the charm of her surroundings and new family, creating an unexpected gulf between them ...'As gripping as a thriller and as felt as a love song' IRISH TIMES

  • Sales Rank: #409590 in Books
  • Published on: 2002-10-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .71" w x 5.08" l, .44 pounds
  • Binding: Paperback
  • 288 pages

Review
'A bittersweet Romeo and Juliet for our cynical age... brilliant and unsettling' The Times; 'Powerful and profound... this intelligent novel is as gripping as a thriller and as felt as a love song' Irish Times

About the Author
Nadine Gordimer's many novels include THE LYING DAYS, THE CONSERVATIONIST, joint winner of the Booker Prize, BURGER'S DAUGHTER, JULY'S PEOPLE, MY SON'S STORY, NONE TO ACCOMPANY ME and THE HOUSE GUN. Her collections of short stories include SOMETHING OUT THERE and JUMP. In 1991 she was awarded the Nobel Prize for Literature. She lives in South Africa.

Most helpful customer reviews

1 of 1 people found the following review helpful.
This is a beautiful, easy to read but hard to forget story about profound issues that we don't even think exist. A gem from a No
By me in the cold med west
This is a beautifully novel with many layers of themes and thoughts. The Pick up that the tittles refers to is the story ofa romance between an undocumented engineer from an unnamed African country and a white upper middle class western young woman who fall in love with him as she tries to sort her own identity and place in the world. But this is not a romance, this is a serious philosophical work that is playfully and skillfuly embeded in the story of this young woman. What Nadine Gordiner wants us to see without having to preach about are the intellectual reasons behind the emigration of the educated youth and the price that eveyone in their society has to pay. In the descriptions of domestic life in that unnamed country we see the despair and the strength of the wives that have to stay behind when their educated husbands leave in search of jobs where they can use their skills. This is a beautiful, easy to read but hard to forget story about profund issues and more specifically about emigration that is not solely based on poverty. A gem.

0 of 1 people found the following review helpful.
Faulty Pickup !
By F. Dostie
I found the heroine did not reveal concretely the difficulties that such a racial mix can produce in the lives of the people. I found the "Pickup" too secretive about his intentions and plans for the future.

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